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Causal dynamical triangulation (CDT), theorized by Renate Loll, Jan Ambjørn and Jerzy Jurkiewicz, is an approach to quantum gravity that, like loop quantum gravity, is background independent. This means that it does not assume any pre-existing arena (dimensional space) but, rather, attempts to show how the spacetime fabric itself evolves.
In Greek music it was used to tune tetrachords, which were composed into scales spanning an octave. [6] A distinction can be made between extended Pythagorean tuning and a 12-tone Pythagorean temperament. Extended Pythagorean tuning corresponds 1-on-1 with western music notation and there is no limit to the number of fifths.
The Schillinger system of musical composition, named after Joseph Schillinger (1895–1943) is a method of musical composition based on mathematical processes. It comprises theories of rhythm, harmony, melody, counterpoint, form and semantics, purporting to offer a systematic and non-genre approach to music analysis and composition; a descriptive rather than prescriptive grammar of music.
Just major third. Pythagorean major third, i.e. a ditone Comparison, in cents, of intervals at or near a major third Harmonic series, partials 1–5, numbered Play ⓘ.. In music theory, a third is a musical interval encompassing three staff positions (see Interval number for more details), and the major third (Play ⓘ) is a third spanning four half steps or two whole steps. [1]
Hexachordal combinatoriality is a concept in post-tonal theory that describes the combination of hexachords, often used in reference to the music of the Second Viennese school. In music that consistently utilizes all twelve chromatic tones (particularly twelve-tone and serial music ), the aggregate (collection of all 12 pitch classes) may be ...
The Federal Reserve cut its benchmark interest rate Wednesday to between 4.25% and 4.5%. The central bank also projected two cuts next year instead of four, sending stocks tumbling.
In music theory, contrapuntal motion is the general movement of two or more melodic lines with respect to each other. [1] In traditional four-part harmony, it is important that lines maintain their independence, an effect which can be achieved by the judicious use of the four types of contrapuntal motion: parallel motion, similar motion, contrary motion, and oblique motion.
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