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In literature, the paradox is an anomalous juxtaposition of incongruous ideas for the sake of striking exposition or unexpected insight. It functions as a method of literary composition and analysis that involves examining apparently contradictory statements and drawing conclusions either to reconcile them or to explain their presence.
The term paradox is often used to describe a counter-intuitive result. However, some of these paradoxes qualify to fit into the mainstream viewpoint of a paradox, which is a self-contradictory result gained even while properly applying accepted ways of reasoning.
A paradox is a logically self-contradictory statement or a statement that runs contrary to one's expectation. [1] [2] It is a statement that, ...
The paradox of fiction has also been investigated under the framework of affective neuroscience. Several studies reported a decreased emotional response for emotional stimuli believed to be fictional (e.g., involving actors and stuntmen, movie makeup or CGI), suggesting a quantitative, rather than qualitative, modulation of emotion by fiction.
In literary terminology, a paradox is an apparent contradiction that is nevertheless somehow true. [6] Paradox can take the form of an oxymoron, overstatement or understatement. Paradox can blend into irony.
The metabasis paradox is an instance in the received text of Aristotle ... the preference for misfortune in chapter 13 reflects the domain of the literary critic, ...
Moore's paradox has been associated with many other well-known logical paradoxes, including, though not limited to, the liar paradox, the knower paradox, the unexpected hanging paradox, and the preface paradox. [5] There is currently not any generally accepted explanation of Moore's paradox in the philosophical literature.
Zeno devised these paradoxes to support his teacher Parmenides's philosophy of monism, which posits that despite our sensory experiences, reality is singular and unchanging. The paradoxes famously challenge the notions of plurality (the existence of many things), motion, space, and time by suggesting they lead to logical contradictions.