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In 1976 Loire completed the "Glory Window" for Thanks-Giving Square in Dallas, Texas. The window, which contains 73 panels of faceted glass, covers the spiral ceiling of non-denominational chapel to create one of the largest horizontally-mounted stained glass windows in the world. Lower panels feature varying shades of blue.
Willet Studios was founded in Philadelphia, Pennsylvania in 1898 by the muralist and stained glass artist William Willet and his wife, Anne Lee. In its inception, the studio went by the title of the Willet Stained Glass Company and by 1909, had been incorporated as the Willet Stained Glass and Decorating Company.
Traditionally, leadlight windows differ from stained glass windows principally in being less complex in design and employing simpler techniques of manufacture. Stained glass windows, such as those commonly found in churches, usually include design components that have been painted onto the glass and fired in a kiln before assembly.
Came glasswork includes assembling pieces of cut and possibly painted glass using came sections. The joints where the came meet are soldered to bind the sections. When all of the glass pieces have been put within came and a border put around the entire work, pieces are cemented and supported as needed. [1]
The colorful film on these windows gives the building a unique appearance while providing privacy and insulation from the sun. Heat rejection films are normally applied to the interior of flat glass windows to reduce the amount of infrared, visible light, and ultraviolet (UV) radiation entering the windows.
Panels can again either solely feature these mosaic designs or utilize them as a backdrop. Typical classical motifs employed in Belcher mosaic windows include flowers, leaves, scrolls, swags, and ribbons (fig. 5). During the stained glass revival in the United States, decorative glass windows were used in both secular and non-secular settings.
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