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Allegorical sculpture are sculptures of personifications of abstract ideas, as in allegory. [1] Common in the western world , for example, are statues of Lady Justice representing justice , traditionally holding scales and a sword , and the statues of Prudence , representing Truth by holding a mirror and squeezing a serpent.
Sometimes the meaning of an allegory can be lost, even if art historians suspect that the artwork is an allegory of some kind. [21] Allegory has an ability to freeze the temporality of a story, while infusing it with a spiritual context. Medieval thinking accepted allegory as having a reality underlying any rhetorical or fictional uses. The ...
The figure of Justice in Allegory of Good Government. In the Allegory of Good Government, the composition is built up from three horizontal bands. In the foreground the figures of contemporary Siena are represented. The citizens act as symbolic representations of the various civic officers and magistrates. They are linked by two woven cords or ...
William Rush Carving His Allegorical Figure of the Schuylkill River (1876–77), Oil on canvas, 51.1 cm x 66.3 cm (20-1/8 in x 26-1/8 in), Philadelphia Museum of Art. William Rush and His Model is the collective name given to several paintings by the American artist Thomas Eakins, one set from 1876–77 and the other from 1908.
The Statue of Hope is an allegorical figure that is typically a private memorial or monumental sculpture displayed in a graveyard or cemetery, often a Rural cemetery. Hope is one of the Seven Virtues of the Christian religion .
Statue of Italia turrita e stellata in Naples. Italia turrita (pronounced [iˈtaːlja turˈriːta]; lit. ' Turreted Italy ') is the national personification or allegory of Italy, in the appearance of a young woman with her head surrounded by a mural crown completed by towers (hence turrita or "with towers" in Italian).
The art historian Folke Nordström points to congruences between the third figure and the allegorical representation of Philosophy, as both carry books and a scepter. [2] Eleanor Sayre, an art historian and Goya scholar, dates the painting much later, arguing that it was created in 1812.
Four allegorical figures sit at the base of the monument: Peace is the woman at front, holding an olive branch but keeping a sword hidden in the folds of her skirt. The western group is Four Nations , representing Montreal’s four founding nationalities—French, Scots, Irish, and English—living together in harmony.