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Modern lyric poetry is a formal type of poetry which expresses personal emotions or feelings, typically spoken in the first person. [1] The term for both modern lyric poetry and modern song lyrics derives from a form of Ancient Greek literature , the Greek lyric , which was defined by its musical accompaniment, usually on an instrument known as ...
Alcaeus and Sappho (Brygos Painter, Attic red-figure kalathos, c. 470 BC). Greek lyric is the body of lyric poetry written in dialects of Ancient Greek.Lyric poetry is, in short, poetry to be sung accompanied by music, traditionally a lyre.
Aeolic verse is a classification of Ancient Greek lyric poetry referring to the distinct verse forms characteristic of the two great poets of Archaic Lesbos, Sappho and Alcaeus, who composed in their native Aeolic dialect.
Lyrical Ballads, with a Few Other Poems is a collection of poems by William Wordsworth and Samuel Taylor Coleridge, first published in 1798 and generally considered to have marked the beginning of the English Romantic movement in literature. [2]
The Ode to Aphrodite (or Sappho fragment 1 [a]) is a lyric poem by the archaic Greek poet Sappho, who wrote in the late seventh and early sixth centuries BCE, in which the speaker calls on the help of Aphrodite in the pursuit of a beloved.
A subsection of the collection is a group of four poems known as the Rime Petrose, love poems dedicated to a woman called Petra, composed around 1296. [1] Stylistically those poems are regarded as a transition between the love lyric of La Vita Nuova and the more sacred subject matter of the Divine Comedy. [2]
"The Idiot Boy" is Wordsworth's longest poem in Lyrical Ballads (with 463 lines), although it is surpassed in length by Coleridge's "The Rime of the Ancient Mariner." It was the 16th poem of the collection in the original 1798 edition, [4] and the 21st poem in the 1800 edition, which added Wordsworth's famous Preface to Lyrical Ballads. [5]
The 60 poems there have the typical German sonnet form, but are written in the long-lined free rhythms developed by Ernst Stadler. [123] Patrick Bridgwater, writing in 1985, called the work "without question the best single collection produced by a German war poet in 1914–18," but adds that it "is to this day virtually unknown even in Germany."