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The story itself is considered a performance so there is a synergy among the aforementioned elements. [1] In the story, the narrator may draw attention to the narrative or to himself as storyteller. [2] The structure often includes the following: Tell riddles to test the audience. Audience becomes a chorus and comments on the story.
Freytag warns the writer not to spare the life of the hero. [37] More generally, the final result of a work's main plot has been known in English since 1705 as the denouement (UK: / d eɪ ˈ n uː m ɒ̃, d ɪ-/, US: / ˌ d eɪ n uː ˈ m ɒ̃ /; [38]). It comprises events from the end of the falling action to the actual ending scene of the ...
The development of life story narratives in adolescence is facilitated by co-constructed reminiscing, in which caregivers use discussion, comparison, and analysis of inner motivation to guide reflection about past events and create narratives that explain situations and behavior. [13]
Human knowledge is based on stories and the human brain consists of cognitive machinery necessary to understand, remember and tell stories. [23] Humans are storytelling organisms that both individually and socially, lead storied lives. [24] Stories mirror human thought as humans think in narrative structures and most often remember facts in ...
Story structure or narrative structure is the recognizable or comprehensible way in which a narrative's different elements are unified, including in a particularly chosen order and sometimes specifically referring to the ordering of the plot: the narrative series of events, though this can vary based on culture.
Illustration of the hero's journey. In narratology and comparative mythology, the hero's quest or hero's journey, also known as the monomyth, is the common template of stories that involve a hero who goes on an adventure, is victorious in a decisive crisis, and comes home changed or transformed.
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It is presented from the perspective of within the story. When the author steps in and speaks directly to the reader, that is more properly considered an afterword . The opposite is a prologue —a piece of writing at the beginning of a work of literature or drama, usually used to open the story and capture interest. [ 2 ]