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Martha Mood (June 21, 1908 – July 15, 1972) was an American artist who is known for her stitchery and textile works and for being one of the first artists to raise the craft to the status of fine art in the United States. She is also known for her work in ceramics and as a photographer.
Mood boards can be decorated with string, stickers, pretty tape, magazine pictures, original art, original pictures, and fabrics, as well as any other decoration that happens to inspire the creator. They can take the form of various shapes and sizes. [1] Digital Creating mood boards in a digital form allows for easier collaboration and ...
When the first colour was finished, the finished fabric was set aside to dry. If more than one colour was used, once the fabric was dry, a block with the next colour would be inked and carefully impressed over the image left by the first. The same process and the same blocks could be used for making both fabrics and wallpaper.
All of these items – felt, yarn, fabric, and finished objects – are collectively referred to as textiles. [3] The textile arts also include those techniques which are used to embellish or decorate textiles – dyeing and printing to add color and pattern; embroidery and other types of needlework; tablet weaving; and lace-making.
Smocking requires lightweight fabric with a stable weave that gathers well. Cotton and silk are typical fiber choices, often in lawn or voile.Smocking is worked on a crewel embroidery needle in cotton or silk thread and normally requires three times the width of initial material as the finished item will have. [3]
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Costume texture and patterns can emphasize or minimize parts of a dancer's body. For example, vertical lines visually lengthen and thin the body, and horizontal lines shorten and widen it. [ 4 ] Costume textures and patterns are created using shading, patching, tie-dyeing , and appliqué techniques such as drawing with a fabric pen or painting ...
Humanity and life lie at the intersection of the natural and the supernatural, according to the underlying Kuba myth. As a result, rectilinear lines in Kuba art depict natural patterns. Both in art and nature, these lines occasionally disrupt what we take to be geometric order. [5] The improvised patterns are mostly made using three methods: