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"At Seventeen" is a song by American singer-songwriter Janis Ian from her seventh studio album Between the Lines. Columbia released it in July 1975 as the album's second single. Ian wrote the lyrics on the basis of a New York Times article and used a samba instrumental, and Brooks Arthur produced the final version.
"Love, Money, Fame" is a song recorded by South Korean boy band Seventeen featuring American music producer DJ Khaled. It was released on October 14, 2024, as the lead single from their thirteen extended play Spill the Feels. The song debuted at number one on the Circle Digital Chart, becoming their third chart topper in South Korea.
The Boyd Bennett disc of "Seventeen" "changed record-producing/buying and marketing forever," wrote musicologist Robert Reynolds: "As Boyd Bennett had predicted, teenagers bought 'Seventeen' in droves and other record companies soon began producing songs aimed specifically at the teen market. The record hung around the Top Ten for five weeks.
As for CD 2, those twenty songs — plus an instrumental version of “Adore U" — is mostly for hardcore fans, who live, breathe and love those singles scattered across nearly a decade.
Seventeen performing Don't Wanna Cry at the Dream concert in 2017. The music video for "Don't Wanna Cry" was released on May 22, 2017. [2] Depicting the group melancholically expressing their regrets at the end of a relationship, [2] the music video was filmed in various locations across Los Angeles, USA.
To promote the song, two music video teasers, as well as a highlight medley, were released on YouTube. [3] The single was released alongside an accompanying music video on October 23. [4] A trot parody song titled "God of Light Music" was revealed on Seventeen's web variety show Going Seventeen, during a two-episode special aired on October 18 ...
It became the most pre-ordered album in K-pop history, topping the charts in South Korea and Japan, and debuting at No 2 on the Billboard 200. View this post on Instagram A post shared by ...
The Hollywood Stars were the first "conceptual band" that Kim Fowley assembled, predating Fowley's groups The Runaways, Venus and the Razorblades, and The Orchids. [1]In the early 1970s, Fowley was a regular at Rodney Bingenheimer's English Disco, a Los Angeles-based club that specialized in British glam rock and occasionally featured live acts such as Iggy and the Stooges and Zolar X, the ...