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The "star-studded" collaborations were praised for celebrating "every corner of Black culture". [ 14 ] [ 15 ] The songs, described as "winningly cinematic" by Variety , were hailed for their "dynamic, symphonic grandness" and for representing a range of genres while "maintaining a cohesive sense of sonic drama."
Black Widow's motif, which debuted in tracks such as "Red Ledger", "Interrogation" and "A Little Help", is briefly reprised for the opening of "I Was Made For This" as the team mourns Black Widow. In addition, the opening of "I Was Made For This" is repurposed from "They Called It"; the motif first played when the Avengers mourned Phil Coulson ...
Iron Man 3 (Original Motion Picture Soundtrack) is the film score for the Marvel Studios film, Iron Man 3 by Brian Tyler, released on April 30, 2013. [1] A separate soundtrack and concept album titled, Iron Man 3: Heroes Fall (Music Inspired by the Motion Picture) by various artists was released on the same date by Hollywood Records and Marvel Music.
Back to Black marked Cave and Ellis' maiden cinematic collaboration with Sam Taylor-Johnson; [11] the duo had previously worked with the director on contributing the text for Still Lives (2015). [4] [12] According to Taylor-Johnson, "their sensibility as well as understanding of this story has led to a profoundly deep and moving film score". [4]
Blade: Music from and Inspired by the Motion Picture is the soundtrack to Stephen Norrington's 1998 film Blade.It was released on August 25, 1998, through TVT Soundtrax/Epic Records, and featured a wide range of musical genres including hip hop, techno, electronic and alternative rock.
John Murphy wrote the score for the special simultaneously while working on Guardians of the Galaxy Vol. 3. [5] As like previous Guardians of the Galaxy films, Gunn had chosen music for the special "very early". [6]
The Color Purple featured musical performances from the Broadway production and the original 1985 film. Bazawule described the challenging aspect is being "how to make Broadway music more cinematic", hence he took the influences of African-American music and transitioned it to gospel, blues and jazz to achieve the same.
The Black Bar Mitzvah was met with generally mixed reviews from music critics.Jon Dolan of Rolling Stone gave the mixtape three out of five stars, saying "The Black Bar Mitzvah is a perfect title for a Rick Ross mixtape: his vision of playalistic splendor has always been the stuff of thirteen-year-old boy fantasy.