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Other tattoos for men include the babalakay, sun-like or cross-like tattoos on the thigh that represented spiders; and the hisi, a tattoo on the back of the hand to the middle of the forearm which is uniformly black except for a narrow untattooed line running along the pulse of the wrist. These tattoos are applied to all men as soon as they ...
The place for the tattoo is then cleaned by this leek juice mixture, a design is drawn by piercing and the combined mixture is then put on the skin. [3] Jacques de Morgan also observed the tattooing of Kurdish women in 1895, and mentioned that old women had most tattoos and were sometimes tattooed all over the body. When men were tattooed, it ...
While the tradition itself originates with indigenous tribal animism, it became closely tied to the Hindu-Buddhist concept of yantra or mystical geometric patterns used during meditation. Tattoos of yantra designs were believed to hold magic power, and were used much like the kolam tattoos of India. For these people, religion is closely tied to ...
Tattoos, as well as other forms of art in Rapa Nui, blends anthropomorphic and zoomorphic imagery. [3] The most common symbols represented were of the Make-Make god, Moais, Komari (the symbol of female fertility), the manutara, and other forms of birds, fish, turtles or figures from the Rongo Rongo tablets.
The tattooing practice is most often found in preliterate tribal communities, with women playing the chief role in this custom, both performing the ritual of applying tattoos and wear them. Among other things the tattoos may have been a symbol of sexual maturity, ancestry and tribal affiliations, as well as religious beliefs. [ 6 ]
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