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In the oldest pieces, the figures were drawn freehand on the fabric and surrounded with Holbein stitch. The background, often cream linen, [2] was filled as well as possible. For more modern pieces the pattern was constructed carefully on a paper grid in much the same way as counted cross-stitch patterns are created.
Counted cross-stitch embroidery, Hungary, mid-20th century. Counted-thread embroidery is any embroidery in which the number of warp and weft yarns in a fabric are methodically counted for each stitch, resulting in uniform-length stitches and a precise, uniform embroidery pattern. [1]
Cross-stitch is often executed on easily countable fabric called aida cloth, [3] whose weave creates a plainly visible grid of squares with holes for the needle at each corner. Fabrics used in cross-stitch include linen, aida cloth, and mixed-content fabrics called 'evenweave' such as jobelan. All cross-stitch fabrics are technically "evenweave ...
Canvas work in cross stitch became popular again in the mid-19th century with the Berlin wool work craze. Herringbone, fishbone, Van Dyke, and related crossed stitches are used in crewel embroidery, especially to add texture to stems, leaves, and similar objects. Basic cross stitch is used to fill backgrounds in Assisi work. [3]
Berlin wool work is a style of embroidery similar to today's needlepoint that was particularly popular in Europe and America from 1804 to 1875. [1]: 66 It is typically executed with wool yarn on canvas, [2] worked in a single stitch such as cross stitch or tent stitch, although Beeton's book of Needlework (1870) describes 15 different stitches for use in Berlin work.
Cross-stitch – Form of counted-thread embroidery Upright cross stitch – This stitch creates an almost crunchy texture and can be used on both single and double canvas. [31] (Victorian) cross stitches – X or + shaped embroidery stitch; Gobelin stitch – A slanting stitch worked over two horizontal threads and one perpendicular.