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Rear projection in color remained out of reach until Paramount introduced a new projection system in the 1940s. New matte techniques, modified for use with color, were for the first time used in the British film The Thief of Bagdad (1940). However, the high cost of color production in the 1940s meant most films were black and white. [1]
1940: 2008: Legend Films [196] The Devil Commands: 1941: 1991: Columbia Pictures (American Film Technologies) [197] The Devil-Doll: 1936: 1992: Turner Entertainment [198] Devil's Doorway: 1950: 1992: Turner Entertainment [199] Dimples: 1936: 1986: 20th Century Fox (Color Systems Technology) [4] Dinner at Eight: 1933: 1993: Turner Entertainment ...
Excerpt from the surviving fragment of With Our King and Queen Through India (1912), the first feature-length film in natural colour, filmed in Kinemacolor. This is a list of early feature-length colour films (including primarily black-and-white films that have one or more color sequences) made up to about 1936, when the Technicolor three-strip process firmly established itself as the major ...
The 1940s and 1950s are generally regarded as the "classic period" of American film noir. Film noir of this era is associated with a low-key, black-and-white visual style that has roots in German expressionist cinematography.
The Green Hornet is a 1940 black-and-white 13-chapter movie serial from Universal Pictures, produced by Henry MacRae, directed by Ford Beebe and Ray Taylor, starring Gordon Jones, Wade Boteler, Keye Luke, and Anne Nagel. The serial is based on The Green Hornet radio series by George W. Trendle and Fran Striker.
Rebecca won the Film Daily year-end poll of 546 critics nationwide naming the best films of 1940. [22] Rebecca mosaic commissioned in 2001 in the London Underground. Rebecca was the opening film at the 1st Berlin International Film Festival in 1951. [23] The Guardian called it "one of Hitchcock's creepiest, most oppressive films". [24]
Laura received five nominations for the Academy Awards, including for Best Director, winning for Best Black and White Cinematography. In 1999, Laura was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".
Abie's Irish Rose (1928 film) Abie's Irish Rose (1946 film) Abilene Town; Abilene Trail (film) Able Edwards; About Face (1942 film) About Mrs. Leslie; Above and Beyond (1952 film) Above Suspicion (1943 film) Above the Clouds; Chimmie Hicks at the Races; Abraham Lincoln (1924 film short) Abraham Lincoln (1924 film) Abraham Lincoln (1930 film)