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Sergei Prokofiev's Piano Sonata No. 5 in C major, Op. 38, was written at Ettal near Oberammergau in the Bavarian Alps during the composer's stay there in 1923. He would revise it thirty years later, at the end of his life, but not drastically, as his Opus 135 , and it is this version that is usually played.
[5] [2] The cantata is based on Martin Luther's "Aus tiefer Not schrei ich zu dir", a paraphrase of Psalm 130. [6] [7] It was in Bach's time the "required hymn" for the Sunday. [8] Luther wrote about the psalm that it was coming from a . truly penitent heart that is most deeply moved in its distress.
First page of Bach's original print of BWV 686 from his Clavier-Übung III Hans Kotter ( c. 1480 – 1541) composed the "earliest extant organ setting of a Protestant chorale", an intabulation . 17th-century chorale preludes include works by Johann Pachelbel , Johann Heinrich Scheidemann , Friedrich Wilhelm Zachow and Christian Geist .
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Hear my humble cry. While on others Thou art calling, Do not pass me by. Saviour, Saviour, Hear my humble cry. While on others Thou art calling, Do not pass me by. Let me at Thy throne of mercy, Find a sweet relief. Kneeling there in deep contrition, Help my unbelief. Saviour, Saviour, Hear my humble cry. While on others Thou art calling, Do ...
Bob Miller (September 20, 1895 – August 26, 1955) was an American songwriter, recording artist, A&R representative, and publisher. [1]He claimed to have written over 7,000 songs. [2]
I'm Glad I Can Make You Cry is a World War I song written and composed by Charles R. McCarron and Carey Morgan. The song was published in 1918 by Jos. W. Stern & Co. in New York, NY . The sheet music cover, illustrated by Starmer, depicts photos of Alice Joyce & Evart Overton, as well as Bessie Hamilton and Gus Hall's Minstrels.
Piano Concerto No. 5 in D major, K. 175, was composed by Wolfgang Amadeus Mozart in 1773 at the age of 17. It is Mozart's first original piano concerto; his previous efforts were based on works by other composers. In 1782, he revised the score and composed a new rondo, adding a flute to the instrumentation (K. 382).