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The hymn "Nun jauchzt dem Herren, alle Welt" is a 1646 paraphrase of Psalm 100 by David Denicke. Heinrich Schütz set Psalm 100 to music several times, first as part of his Psalmen Davids of polychoral psalms in German, published in 1619, Jauchzet dem Herren, alle Welt, SVW 36, set for double choir with echo
Psalm 133 is the 133rd psalm of the Book of Psalms, beginning in English in the King James Version: "Behold, how good and how pleasant it is for brethren to dwell together in unity". In Latin, it is known as " Ecce quam bonum ". [ 1 ]
Old 100th is commonly used to sing the lyrics that begin "All People That on Earth Do Dwell," Psalm 100, a version that originated in the Anglo-Genevan Psalter (1561) and is attributed to the Scottish clergyman William Kethe. [5] Kethe was in exile at Geneva at this time, as the Scottish Reformation was only just beginning.
This is an outline of commentaries and commentators.Discussed are the salient points of Jewish, patristic, medieval, and modern commentaries on the Bible. The article includes discussion of the Targums, Mishna, and Talmuds, which are not regarded as Bible commentaries in the modern sense of the word, but which provide the foundation for later commentary.
First printed in London in 1759, The Children's Bible was the earliest Bible for children printed in America. [7] While this may have been the first official text published in the US , the simple, narrative style seen in children's Bibles today dates back to the work of Peter Comestor in the late twelfth century: Historia Scholastica . [ 8 ]
Christ blessing the Children by Lucas Cranach the Younger. The Kingdom of Heaven is compared to little children at other places in the New Testament: Matthew 19:13–15. Then were there brought unto him little children, that he should put his hands on them, and pray: and the disciples rebuked them.
The Pulpit Commentary is a homiletic commentary on the Bible first published between 1880 and 1919 [1] and created under the direction of Rev. Joseph S. Exell and Henry Donald Maurice Spence-Jones. It consists of 23 volumes with 22,000 pages and 95,000 entries, and was written over a 30-year period with 100 contributors.
He had received an invitation to set three psalms for the new reformed Jewish Hamburg Temple, Psalm 24, Psalm 84 and Psalm 100, but only correspondence has survived, including disputes about the text and the scoring, and no music. [4] The setting of Psalm 100 in Martin Luther's translation was probably intended for the Berlin Cathedral. [4]