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I'm Glad I Can Make You Cry is a World War I song written and composed by Charles R. McCarron and Carey Morgan. The song was published in 1918 by Jos. W. Stern & Co. in New York, NY . The sheet music cover, illustrated by Starmer, depicts photos of Alice Joyce & Evart Overton, as well as Bessie Hamilton and Gus Hall's Minstrels.
Hear my humble cry. While on others Thou art calling, Do not pass me by. Saviour, Saviour, Hear my humble cry. While on others Thou art calling, Do not pass me by. Let me at Thy throne of mercy, Find a sweet relief. Kneeling there in deep contrition, Help my unbelief. Saviour, Saviour, Hear my humble cry. While on others Thou art calling, Do ...
Resolution in Western tonal music theory is the move of a note or chord from dissonance (an unstable sound) to a consonance (a more final or stable sounding one). Dissonance, resolution, and suspense can be used to create musical interest.
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John Farnham released a much-slower tempo, piano-based ballad version of the song in 1980. His version peaked at No. 8 on the Australian Kent Music Report singles chart. [95] Tina Turner recorded a version of Farnham's arrangement of the song. This was recorded prior to, and then included on, her 1984 album Private Dancer. Her version was a top ...
Its melody is first found in act 3 of Handel's 1705 opera Almira as a sarabande; [1] the score for this can be seen on page 81 of Vol. 55 [2] of Friedrich Chrysander.Handel then used the tune for the aria "Lascia la spina, cogli la rosa", or "Leave the Thorn, Take the Rose", for the character Piacere in part 2 of his 1707 oratorio Il trionfo del Tempo e del Disinganno (which was much later, in ...
The catchy popularity of the harmony was not lost on Perfect, a man well-educated in music theory, who originally subtitled the song "The Tipperary of the West." Over the years there have been several changes to the lyrics and, today, the middle stanza is generally the only one sung and it is done so using more modern lyrics than the original.
The Piano Sonata No. 5, Op. 53, is a work written by Alexander Scriabin in 1907. This was his first sonata to be written in one movement, a format he retained from then on. A typical performance lasts from 11 to 12 minutes. The work is considered to be one of Scriabin's most difficult compositions, both technically and musically. [1]