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"Hallelujah" is a song written by Canadian singer Leonard Cohen, originally released on his album Various Positions (1984). Achieving little initial success, [ 1 ] the song found greater popular acclaim through a new version recorded by John Cale in 1991.
Hallelujah written in Modern Hebrew. Hallelujah (/ ˌ h æ l ə ˈ l uː j ə / HAL-ə-LOO-yə; Biblical Hebrew: הַלְלוּ־יָהּ , romanized: haləlū-Yāh, Modern Hebrew: הַלְּלוּ־יָהּ , romanized: halləlū-Yāh, lit. 'praise Yah') is an interjection from the Hebrew language, used as an expression of gratitude to God.
"Hallelujah I Love Her So" is a single by American musician Ray Charles. The rhythm and blues song was written and released by Charles in 1956 on the Atlantic label, and in 1957 it was included on his self-titled debut LP, also released on Atlantic. The song peaked at number five on the Billboard R&B chart.
On 31 March 1979, the Eurovision Song Contest was held at the International Convention Center in Jerusalem hosted by IBA and broadcast live throughout the continent. Milk and Honey performed "Hallelujah" tenth on the night –entering the stage one by one rather than all together–, following West Germany's "Dschinghis Khan" by Dschinghis Khan and preceding France's "Je suis l'enfant soleil ...
Glory, glory, hallelujah! Glory, glory, hallelujah! Glory, glory, hallelujah! Our God is marching on. In the beauty of the lilies Christ was born across the sea, With a glory in His bosom that transfigures you and me. As He died to make men holy, let us die to make men free, [16] While God is marching on. (Chorus) Glory, glory, hallelujah!
Hallelujah shows up just four times in the New Testament, all in the Book of Revelation. All four come at the climax of the text, when God delivers his people from the destructive power of Babylon.
The text of the chorale "Halleluja! Gott zu loben" was written by Matthias Jorissen as a paraphrase of Psalm 146. The melody is by Johann Georg Bätzler. The fantasie is structured in an introduction, marked vivace assai – vivacissimo, and seven chorale stanzas, concluded by a coda: [5] Introducion; Strophe I Hallelujah! Gott zu loben
Hallelujah. Part II closes with the Hallelujah chorus which became famous as a stand-alone piece, set in the key of D major with trumpets and timpani. The choir introduces Hallelujah, repeated in homophony, in a characteristic simple motif for the word, playing with the interval of a second, which re-appears