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In the Hyakki Yagyo Emaki from the Muromachi period, yōkai that appeared as umbrellas could be seen, but in this emaki, it was a humanoid yōkai that merely had an umbrella on its head and thus had a different appearance than that resembling a kasa-obake. [7] The kasa-obake that took on an appearance with one eye and one foot was seen from the ...
E7sus4: E-A-D-E-B-E (used by Ed Sheeran in "Tenerife Sea.") EEEEBE a.k.a. "Bruce Palmer Modal Tuning," as named and used by Stephen Stills in "Suite: Judy Blue Eyes where Stills uses this tuning while the other guitar is in standard tuning. [23]) E modal: E-B-E-E-B-E
Suspended chord: M3+b5: Major third, flat five: Just: Just intonation: Bitonal: Bitonal chord: Atonal: Atonal chord: List of musical chords Name Chord on C Sound # of ...
C (often omitted), E, G, B ♭, D, F ♯, A. The same chord type may also be voiced: C (often omitted), E, B ♭, F ♯, A, D, F ♯. This voicing omits both the root and the perfect fifth (G) and raises the major ninth (D) by an octave. The augmented eleventh (F ♯) is also played twice in two different registers. This is known as "doubling".
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A musical passage notated as flats. The same passage notated as sharps, requiring fewer canceling natural signs. Sets of notes that involve pitch relationships — scales, key signatures, or intervals, [1] for example — can also be referred to as enharmonic (e.g., the keys of C ♯ major and D ♭ major contain identical pitches and are therefore enharmonic).
The practice of adding tones may have led to superimposing chords and tonalities, though added tone chords have most often been used as more intense substitutes for traditional chords. [3] For instance a minor chord that includes a major second factor holds a great deal more dramatic tension due to the very close interval between the major ...
The Piano Sonata in E-flat major D 568 by Franz Schubert is a sonata for solo piano. It is a revision and completion of the Sonata in D-flat major D 568.The D-flat major version was composed in June 1817, while the E-flat major revision and completion, published in 1829 after Schubert's death as Op. posth. 122, dates from sometime around 1826.