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Iroquois oral history tells the beginning of the False Face tradition. According to the accounts, the Creator Shöñgwaia'dihsum ('our creator' in Onondaga), blessed with healing powers in response to his love of living things, encountered a stranger, referred to in Onondaga as Ethiso:da' ('our grandfather') or Hado'ih (IPA:), and challenged him in a competition to see who could move a mountain.
The Mask of Agamemnon differs from three of the other masks in a number of ways: it is three-dimensional rather than flat, one of the facial hairs is cut out, rather than engraved, the ears are cut out, the eyes are depicted as both open and shut, with open eyelids, but a line of closed eyelids across the center, the face alone of all the ...
The term "therian" refers to people who spiritually, physically, or psychologically identify as an animal. The species of animal a therian identifies as is called a theriotype. [ 13 ] While therians mainly attribute their experiences of therianthropy to either spirituality or psychology, the way in which they consider their therian identity is ...
The comedy and tragedy masks are a pair of masks, one crying and one laughing, that have widely come to represent the performing arts. Originating in the theatre of ancient Greece , the masks were said to help audience members far from the stage to understand what emotions the characters were feeling.
A Spanish observer at the wedding of Mary I of England and Philip of Spain in 1554 mentioned that women in London wore masks, antifaces, or veils when walking outside. [5] [6] Masks became more common in England in the 1570s, leading Emanuel van Meteren to write that "ladies of distinction have lately learned to cover their faces with silken masks and vizards and feathers".
The deigan (泥眼) mask is a mask that represents the first stage of a woman's transformation into a demoness as her emotions begin to rise. The gold-painted eyes and tooth tips on the masks indicate that the women have already begun the transformation from human to onryō (怨霊, vengeful spirit) or ikiryō (生霊, disembodied spirit).
The features of the mask illustrate the group's ideal of feminine beauty. The elegant hairstyles also symbolize the importance of social cooperation, since a woman needs the help of her friends to dress her hair. [3] The Mende honor outstanding carvers of sowei masks, which are typically men, with the name Sowo Gande. According to Philips, the ...
Durga, Parvati, Saraswati and incarnations of the Goddess are categorised under the nari or women masks, while bird masks are for Jatayu, peacock, swan, etc. [3] [7] A typical bir mask showing the face of a demon. A nari mask showing the face of Durga. A mask showing the Hindu deity Ganesha. The distinguishing feature is the trunk.