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The person who associated a work with this deed has dedicated the work to the public domain by waiving all of their rights to the work worldwide under copyright law, including all related and neighboring rights, to the extent allowed by law. You can copy, modify, distribute and perform the work, even for commercial purposes, all without asking ...
The person who associated a work with this deed has dedicated the work to the public domain by waiving all of their rights to the work worldwide under copyright law, including all related and neighboring rights, to the extent allowed by law. You can copy, modify, distribute and perform the work, even for commercial purposes, all without asking ...
You are free: to share – to copy, distribute and transmit the work; to remix – to adapt the work; Under the following conditions: attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made.
A traditional silhouette portrait of the late 18th century. A silhouette (English: / ˌ s ɪ l u ˈ ɛ t /, [1] French:) is the image of a person, animal, object or scene represented as a solid shape of a single colour, usually black, with its edges matching the outline of the subject. The interior of a silhouette is featureless, and the ...
Cuckold's horns are traditionally placed behind an unwitting man (the cuckold) to insult him and represent that his wife is unfaithful. It is made with the index and middle fingers spread by a person standing behind the one being insulted. In modern culture as bunny ears "the actual symbolism has been forgotten and only the offence remains". [16]
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Standing with folded arms; Standing contrapposto, with most of the weight on one foot so that its shoulders and arms twist off-axis from the hips and legs in the axial plane; Standing at attention, upright with an assertive and correct posture: "chin up, chest out, shoulders back, stomach in", arms at the side, heels together, toes apart
Another painting from the same year, called The Great War on Facades (La Grande Guerre Façades, 1964), features a person standing in front of a wall overlooking the sea (as in The Son of Man), but it is a woman, holding an umbrella, her face covered by flowers. There is also Man in the Bowler Hat, a similar painting wherein a man's face is ...