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A huge yellow lantern lights the terrace, the façade, the pavement, and even projects light over the cobblestones of the street, which takes on a violet-pink tinge. The gables of the houses on a street that leads away under the blue sky studded with stars are dark blue or violet, with a green tree. Now there's a painting of night without black.
Like Édouard Cortès (1882–1969) and Eugène Galien-Laloue (1854–1941), Antoine Blanchard essentially painted Paris and the Parisians in bygone days, often from vintage postcards. The artist began painting his Paris street scenes in the late 1950s, and like Cortès, often painted the same Paris landmark many times, in different weather ...
Paris Street; Rainy Day (French: Rue de Paris, temps de pluie) is a large 1877 oil painting by the French artist Gustave Caillebotte (1848–1894), and is his best known work. [1] It shows a number of individuals walking through the Place de Dublin , then known as the Carrefour de Moscou, at an intersection to the east of the Gare Saint-Lazare ...
The cafés of Paris are no longer part of her intellectual life, but they are certainly the chief feature of her streets; on pavements hardly wide enough for a honeymoon couple to walk on, a flimsy chair and an oak-grained tin table will defend against all-comers the right of every good Frenchman to enjoy upon the very streets of the loved city ...
The scene of a café-concert, supposedly casual, is hinted by Manet to be one of separation. The waitress enjoys a beer, while the woman at the table smokes a cigarette and appears subdued and the man appears to be at ease as he watches the performance (the singer known as “La Belle Polonaise” is reflected in the mirror in the background of ...
The Montmartre paintings are a group of works that Vincent van Gogh created in 1886 and 1887 of the Paris district of Montmartre while living there, at 54 Rue Lepic, with his brother Theo. Rather than capture urban settings in Paris, Van Gogh preferred pastoral scenes, such as Montmartre and Asnières in the northwest suburbs.
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Boldini moved to Paris in 1871, where he had the opportunity to witness a lively, modern and frenetic city. In those years, the French capital wanted to forget the recent defeat at the Franco-Prussian War. Paris was therefore populated by theatres, museums, restaurants and trendy cafes. [1]