Search results
Results From The WOW.Com Content Network
Would've, Could've, Should've" debuted and peaked at number 20 on the US Billboard Hot 100. [7] On the Billboard Global 200, it peaked at number 21. [8] The track peaked on singles charts including the Canadian Hot 100 (18), [9] the Portuguese singles chart (66), [10] the Philippines Songs chart (23), [11] and the Billboard Vietnam Hot 100 ...
Taylor Swift's Midnights 3 A.M. Edition tracks may be among the album's most brutal lyrically, but none express regret quite as strongly as “Would've, Could've, Should've.” Fans were quick to ...
The song’s lyrics also make reference to the paper airplane necklaces they were each seen wearing during their brief romance. Breaking Down All of Taylor Swifts Eras Tour Surprise Song Mash Ups ...
In the song "Would've, Could've, Should've," Swift sings about being 19 and in a relationship with a poisonous "grown man" — Mayer was 32 at the time — who later dismissed her as "a child."
The song was released to US country radio as the album's fifth and final single on May 19, 2008, by Big Machine Records. Produced by Nathan Chapman, "Should've Said No" combines country rock, pop rock, and post-grunge with banjo and distorted guitars. The lyrics are about Swift's contempt for a cheating ex-lover.
The former ranked the song in the top 50 among Swift's 274 songs in her entire discography and lauded it for being "powerfully understated". [17] Ahlgrim and Larocca commended the lyrics for portraying heartbreak with vague yet emotionally resonant lyrics that could apply to a wide range of emotional experiences by different people. [16]
Taylor Swift struggled to get through an acoustic performance of her song "Would've, Could've, Should've" at her Edinburgh concert June 7, pausing the lyrics twice.
The song's lyrics describe a magical date. [10] Like many of Swift's songs, the lyrics invoke princess imagery with lines such as "Today was a fairytale/You were the prince/I used to be a damsel in distress." [7] Bertoldi said the lyrics were "driven more by sweeping emotion than [...] specific, youth-focused imagery". [9]