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An equestrian statue is a statue of a rider mounted on a horse, from the Latin eques, meaning 'knight', deriving from equus, meaning 'horse'. [1] A statue of a riderless horse is strictly an equine statue. A full-sized equestrian statue is a difficult and expensive object for any culture to produce, and figures have typically been portraits of ...
The first instance that the horse was successfully positioned on the two hind legs without using the tail as a third support. Erected in front of the Hoftheater as an equestrian statue on a stone pedestal in 1826; the present fountain monument was created in 1894 (see Leopoldsbrunnen ).
The posture of the trotting horse in this statue is similar to those of prior statues, with right leg raised; however, unlike Marcus Aurelius, Cosimo uses stirrups and his horse shows the restraint of the bridle, albeit without much tension. Cosimo, like Gattamelata, holds a military baton, armor, and sheathed sword.
References A ace Slang for the drug acepromazine or acetyl promazine (trade names Atravet or Acezine), which is a sedative : 3 commonly used on horses during veterinary treatment, but also illegal in the show ring. Also abbreviated ACP. action The way a horse elevates its legs, knees, hock, and feet. : 3 Also includes how the horse uses its shoulder, humerus, elbow, and stifle; most often used ...
Note: "Equestrian statues" have one or more riders on horses. "Equine statues" of horses without riders, or with dismounted riders, belong in the parent category Category:Sculptures of horses Subcategories
Leonardo da Vinci's study in silverpoint for The Horse, c. 1488 [1] Study in silverpoint for the monument (abandoned design), c. 1490 [2]. Leonardo's Horse (also known as the Sforza Horse or the Gran Cavallo ("Great Horse") ) is a project for a bronze sculpture that was commissioned from Leonardo da Vinci in 1482 by the Duke of Milan Ludovico il Moro, but never completed.
A statue is a free-standing sculpture in which the ... The notion that the position of the hooves of horses in equestrian statues indicated the rider's cause of death ...
Another view. Verrocchio based the sculpture on Donatello's statue of Gattamelata, as well as on the ancient statue of Marcus Aurelius in Rome, the St. Mark's Horses in Venice, the Regisole (a late antiquity work in Pavia, now lost), and the frescoes of the Funerary Monument to Sir John Hawkwood by Paolo Uccello and of the Equestrian Monument of Niccolò da Tolentino by Andrea del Castagno.