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Multiperspectivity (sometimes polyperspectivity) is a characteristic of narration or representation, where more than one perspective is represented to the audience. [1]Most frequently the term is applied to fiction which employs multiple narrators, often in opposition to each-other or to illuminate different elements of a plot, [1] creating what is sometimes called a multiple narrative, [2] [3 ...
A dual narrative is a form of narrative that tells a story in two different perspectives, usually two different people. Dual narrative is also an effective technique that can be used to tell the story of people (or one person) at two different points in time (Postcards from No Man's Land, Great Expectations, Stone Cold). It is used to show ...
In narratology, focalisation is the perspective through which a narrative is presented, as opposed to an omniscient narrator. [1] Coined by French narrative theorist Gérard Genette, his definition distinguishes between internal focalisation (first-person) and external focalisation (third-person, fixed on the actions of and environments around a character), with zero focalisation representing ...
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Narration is the use of a written or spoken commentary to convey a story to an audience. [1] Narration is conveyed by a narrator: a specific person, or unspecified literary voice, developed by the creator of the story to deliver information to the audience, particularly about the plot: the series of events.
Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.
Now, consider the lower end of the rankings. The worst sin a playoff format can commit is admitting too many members who don’t have any chance of winning even a game.
"serves a truth that is revealing—not the truth that prevails. It also is a “realism” that recognizes multiple perspectives, multiple truths. Perhaps the snow is not just white; it is also turning black, attuned to the menacing storm in the sky—or it is perhaps purple, surrounding a man with a monarch’s boundless ego." [10]