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Similarly, the poly tones are not "held" with the two VCOs when in "continuous" (hold or drone) mode. The rest of the modulation, including the sample-and-hold, will affect the polyphonic signal via the filter section. One thing to note however; the LFO cannot be used to modulate the pitch to create a vibrato of the polyphony section.
The Korg DS-8 is a digital eight-voice FM synthesizer released by Korg in 1987. Following an agreement with Yamaha for access to its research and development facilities, it was designed using Yamaha components and constructed under a licensing agreement.
Harmor is powered by an additive synthesis engine, similar to Image-Line’s synthesizer Morphine. [1] Although the different additive modules and controls found in Harmor can look similar to more conventional synthesizers that utilize subtractive synthesis, its sound generation engine differs in that it sums its partials later in the signal chain (right before the FX stage) compared to some ...
SynthMaster is a semi-modular software synthesizer and effect plug-in in VST, Audio Units and RTAS formats, developed by KV331 Audio.. SynthMaster features many different synthesis methods including VA, Additive, Wavetable, Wavescanning, Phase Modulation, Frequency Modulation, Pulse Width Modulation, Ring Modulation, Amplitude Modulation, Physical Modeling and SFZ Sample Playback synthesis.
Massive features a hybrid digital-analog design which is intended for the production of bass and lead sounds. Based on wavetable synthesis, the plugin’s sound is formed by three wave oscillators with separate controls for wavetable position, pitch, and wave shaping.
Modifiers such as modulation wheels, pitch bend wheels, sustain pedals, pitch sliders, buttons, knobs, faders, switches, ribbon controllers, etc., alter an instrument's state of operation, and thus can be used to modify sounds or other parameters of music performance in real time via MIDI connections.