Search results
Results From The WOW.Com Content Network
Ivan the Terrible and His Son Ivan on 16 November 1581 [a] is a painting by Russian realist artist Ilya Repin made between 1883 and 1885. It depicts the grief-stricken Russian tsar Ivan the Terrible cradling his dying son, the Tsarevich Ivan Ivanovich, shortly after Ivan the Terrible had dealt a fatal blow to his son's head in a fit of anger.
In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. {{PD-Art}} template without license parameter: please specify why the underlying work is public domain in both the source country and the United States
Ivan the Terrible and his son Ivan on November 16, 1581 label QS:Les,"Iván el Terrible y su hijo" label QS:Lhu,"Rettegett Iván és fia, Iván 1581. november 16-án"
Ivan Ivanovich was killed by his father in a fit of rage, [5] with the argument ending after the elder Ivan fatally struck his son in the head with his pointed staff. [6] Yelena also suffered a miscarriage within hours of the incident. [4] The event is depicted in the famous painting by Ilya Repin, Ivan the Terrible and His Son Ivan.
Historians generally believe that Ivan killed his son in a fit of rage, [7] with the argument ending after the elder Ivan fatally struck his son in the head with his pointed staff. [70] Yelena also suffered a miscarriage within hours of the incident. [69] The event is depicted in the famous painting by Ilya Repin, Ivan the Terrible and His Son ...
Ivan the Terrible and His Son Ivan on November 16th, 1581 label QS:Les,"Iván el Terrible y su hijo Iván el 16 de noviembre de 1581" label QS:Lhu,"Rettegett Iván és fia, Iván 1581. november 16-án"
Main page; Contents; Current events; Random article; About Wikipedia; Contact us
According to Tolstoy, the action of drama takes place in 1584, the year of Ioann's death. Yet, Ivan's murdering his son, the abdication, the siege of Pskov, the fire in Aleksandrovskaya sloboda all relate to the second half of 1581. Tolstoy was improvising a lot when it came to motives and undercurrents, occasionally creating links between ...