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North American Indian Jewelry and Adornment: From Prehistory to the Present. New York: Harry N. Abrams, 1999: 170-171. ISBN 0-8109-3689-5. Haley, James L. Apaches: a history and culture portrait. Norman: University of Oklahoma Press, 1997. ISBN 978-0-8061-2978-5. Karasik, Carol. The Turquoise Trail: Native American Jewelry and Culture of the ...
Scytho-Siberian art is the art associated with the cultures of the Scytho-Siberian world, primarily consisting of decorative objects such as jewellery, produced by the nomadic tribes of the Eurasian Steppe, with the western edges of the region vaguely defined by ancient Greeks.
The main commissions for gold work and jewelry came from the Court or the Church. [18] As such, much of the jewelry was very religious, involving ornate crosses and depictions of the afterlife or of saints' lives. [19] The Byzantines excelled in inlaying and their work was enormously opulent, involving precious stones, glass and gold. [20]
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The hoard includes almost 4,600 items and metal fragments, [8] [1] totalling 5.094 kg (11.23 lb) of gold and 1.442 kg (3.18 lb) of silver, with 3,500 cloisonné garnets [6] [9] and is the largest treasure of Anglo-Saxon gold and silver objects discovered to date, eclipsing, at least in quantity, the 1.5 kg (3.3 lb) hoard found in the Sutton Hoo ship burial in 1939.
Typically Roman men wore less jewelry than their female counterparts. Finger rings and fibulae were the most common forms of jewelry worn by men, but they would also sometimes wear pendants. Roman men, unlike Greek men, wore multiple rings at once. [8] Golden rings were reserved for men of senatorial rank. [10]