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Nr. 58 2 ⁄ 3, for alto flute with piccolo, children's choir, modern orchestra (3 synthesizer players, percussionist, and tape), with basset-horn ad lib. Nr. 58 2 ⁄ 3 ossia , as either a solo for alto flute with piccolo, two synthesizer players, one percussionist, and tape, or a solo for alto flute with piccolo and tape
Described as “one of the finest children’s choirs in the world today”, by conductor Grant Gershon, and winner of a 2022 GRAMMY® Award for Best Choral Performance, the chorus is noted for its refined choral sound, unique national structure, and esteemed music education and vocal training program, which empowers its members through ideals ...
Symphony No. 8, Songs of Transitoriness, by Krzysztof Penderecki (2005) Symphony No. 2, Festinemus amare homines, by Pawel Lukaszewski (2005) Symphony No. 3, Planet Earth, by Johan de Meij (2006) Symphony No. 1, Symphony of Providence, by Pawel Lukaszewski (2008) Symphony No. 3, Poems and Prayers, by Mohammed Fairouz (2010)
Hector Berlioz was the first to use the term "choral symphony" for a musical composition—his Roméo et Juliette.. A choral symphony is a musical composition for orchestra, choir, and sometimes solo vocalists that, in its internal workings and overall musical architecture, adheres broadly to symphonic musical form. [1]
Three Russian Songs, Op. 41 (Rachmaninoff) Thunder Entered Her; Timotheus, Bacchus and Cecilia; To the Hands; Tomorrow Shall Be My Dancing Day; Totus Tuus (Górecki) Trois Chansons (Debussy) True Love's Kiss (song)
Plugar, for mixed four-part choir a cappella, on verses by Radulescu-Niger (1900) Oda, for choir and piano or organ, on verses by I. Soricu (1904) Hymn jubiliar, for choir, military band and harp (1906) Strigoii, for soprano, tenor, baritone, chorus and orchestra, on verses by Eminescu (unfinished, 1916; completed by Cornel Țăranu)
Op. 30 – Passover Psalm, hymn for solo voice, chorus and orchestra (1941) Op. 31 – Vier Shakespeare-Lieder ("Four Shakespeare Songs") (1937–1941) Op. 32 – Prayer, for tenor, women's choir and organ (1941) Op. 33 – Tomorrow, tone poem for mezzo-soprano, women's choir and orchestra, from the movie The Constant Nymph (1944)
Charles Groves, conductor; Edmund Walters, choir director – Delius: Songs of Sunset (Royal Liverpool Philharmonic Choir and Orchestra) Hans Werner Henze, choir director – Henze: The Raft of the Frigate Medusa (North German Radio Choirs & St. Nicolai Boy's Chorus; North German Radio Symphony)