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Deus ex machina in Euripides' Medea, performed in 2009 in Syracuse, Italy; the sun god sends a golden chariot to rescue Medea.. Deus ex machina (/ ˌ d eɪ ə s ɛ k s ˈ m æ k ɪ n ə, ˈ m ɑː k-/ DAY-əs ex-MA(H)K-in-ə, [1] Latin: [ˈdɛ.ʊs ɛks ˈmaːkʰɪnaː]; plural: dei ex machina; 'God from the machine') [2] [3] is a plot device whereby a seemingly unsolvable problem in a story is ...
The Latin phrase "deus ex machina" has its origins in the conventions of Greek tragedy, and refers to situations in which a mechane (crane) was used to lower actors playing a god or gods onto the stage at the end of a play. The Greek tragedian Euripides is notorious for using this plot device as a means to resolve a hopeless situation.
Another example of eucatastrophe is the recurring role of the eagles as unexpected rescuers throughout Tolkien's writing. While their role has been described as that of a deus ex machina, [10] Tolkien described Bilbo's "eucatastrophic emotion" at the eagles' appearance in The Hobbit as one of the key moments of the book. [11]
It is often used as a means to create dramatic tension in the story and to have the villain reveal important information to the hero, confident that the hero will shortly not be able to use it. It may also be a means to show the hero's resourcefulness in escaping, or the writer's ingenuity at devising a last-minute rescue or deus ex machina.
The drama ends well, and Orgon announces the upcoming wedding of Valère and Mariane. The surprise twist ending, in which everything is set right by the unexpected benevolent intervention of the heretofore unseen king, is considered a notable modern-day example of the classical theatrical plot device deus ex machina.
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The Deus Ex Machina agrees, and the Sentinels shut down, stopping the attack on Zion. The Machines plug Neo into the Matrix, whose population has now been entirely assimilated by Smith. The Smith with the Oracle's powers steps forth, telling Neo that he has foreseen his victory against Neo.
Aside from this particular dramatic narrative, in which he is a chief protagonist and which serves a groundstone for the legend of the hero, Dojčin, or Dojčilo, sometimes appears in Serbian Epic poetry as a side character, a sort of Deux ex machina or a friend-in-need to various other epic heroes who request his help.