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The maximum aperture for a zoom lens may be the same (constant) for all focal lengths, but it is more common that the maximum aperture is greater at the wide-angle end than at the telephoto end of the zoom range. For example, a 100 mm to 400 mm lens may have a maximum aperture of f/4.0 at the 100 mm end but will diminish to only f/5.6 at the ...
35 mm equivalent focal lengths are calculated by multiplying the actual focal length of the lens by the crop factor of the sensor. Typical crop factors are 1.26× – 1.29× for Canon (1.35× for Sigma "H") APS-H format, 1.5× for Nikon APS-C ("DX") format (also used by Sony, Pentax, Fuji, Samsung and others), 1.6× for Canon APS-C format, 2× for Micro Four Thirds format, 2.7× for 1-inch ...
Ultra wide angle lenses have a focal length shorter than the short side of the film or sensor [citation needed]. In 35 mm, an ultra wide-angle lens has a focal length shorter than 24 mm. Common wide-angle lenses for a full-frame 35 mm camera are 35, 28, 24, 21, 20, 18, and 14 mm
Cross-section of a typical retrofocus wide-angle lens. Extreme or ultra-wide-angle lens - a wide-angle lens with an angle of view above 90 degrees. [4] Extreme-wide-angle lenses share the same issues as ordinary wide-angle lenses but the focal length of such lenses may be so short that there is insufficient physical space in front of the film ...
So a standard 50 mm lens for 35 mm photography acts like a 50 mm standard "film" lens even on a professional digital SLR, but would act closer to a 75 mm (1.5×50 mm Nikon) or 80 mm lens (1.6×50mm Canon) on many mid-market DSLRs, and the 40-degree angle of view of a standard 50 mm lens on a film camera is equivalent to a 28–35 mm lens on ...
An APS-C type lens often does not have the coverage to cast light on the entirety of a 35mm sensor, causing dark corners in the images. [2] One common misconception about lenses is that focal length determines the angle of view for a lens, when in reality it is a combination of focal length, lens coverage, and sensor size. A lens of a certain ...
Also, wide-angle lenses for narrow-gauge movie cameras had to be of this type because of the shutter mechanism that had to fit in between. [2]: 142–143 In still photography, a single-lens reflex camera requires a space for the reflex mirror, imposing a limit on the use of wide-angle lenses of symmetric designs. The retrofocus lens addressed ...
The advent of the Biogon opened the way to more extreme wide-angle lenses. Bertele continued to develop his design, patenting an asymmetric wide-angle lens in 1952 that covered an astonishing 120° angle of view "and beyond, practically distortion free", by adding a strong negative meniscus front element to the Biogon design, showing influences from earlier fisheye lens designs, including the ...