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The Sorrows of Young Werther ([ˈveːɐ̯tɐ]; German: Die Leiden des jungen Werthers), or simply Werther, is a 1774 epistolary novel by Johann Wolfgang Goethe, which appeared as a revised edition in 1787.
Werther is an opera (drame lyrique) in four acts by Jules Massenet to a French libretto by Édouard Blau, Paul Milliet and Georges Hartmann (who used the pseudonym Henri Grémont). It is loosely based on Goethe's epistolary novel The Sorrows of Young Werther , which was based both on fact and on Goethe's own early life.
"Sorrows of Werther" is a satirical poem by William Makepeace Thackeray written in response to the enormous success of Johann Wolfgang von Goethe's novel The Sorrows ...
As a result, the critic becomes biased in favor of and fixated on the character. Eliot accuses Johann Wolfgang von Goethe and Samuel Taylor Coleridge of this, stating that Goethe's critique turns Shakespeare's tragic hero into his own Werther while Coleridge's "Lecture on Hamlet" made Hamlet into a Coleridge. Eliot wrote that due to their ...
The Chandos portrait, believed to be Shakespeare, held in the National Portrait Gallery, London. William Shakespeare (1564–1616) [1] was an English poet and playwright. He wrote approximately 39 plays and 154 sonnets, as well as a variety of other poems. [note 1]
Sonnet 23 is one of a sequence of 154 sonnets written by the English playwright and poet William Shakespeare, and is a part of the Fair Youth sequence.. In the sonnet, the speaker is not able to adequately speak of his love, because of the intensity of his feelings.
While Shakespeare's versification maintains the English sonnet form, Shakespeare often rhetorically alludes to the form of Petrarchan sonnets with an octave (two quatrains) followed by a sestet (six lines), between which a "turn" or volta occurs, which signals a change in the tone, mood, or stance of the poem. The first line exemplifies a ...
Also known as "When I consider every thing that grows," Sonnet 15 is one of English playwright and poet William Shakespeare's 154 sonnets. It is a contained within the Fair Youth sequence, considered traditionally to be from sonnet 1-126 "which recount[s] the speaker's idealized, sometimes painful love for a femininely beautiful, well-born male youth". [2]