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On at least two occasions, artist's statements have been the subject of gallery exhibitions. The first exhibition of artists' statements, The Art of the Artist's Statement, was curated by Georgia Kotretsos and Maria Pashalidou at the Hellenic Museum, Chicago, in the spring of 2005. It featured the work of 14 artists invited to create artwork ...
An art manifesto is a public declaration of the intentions, motives, or views of an artist or artistic movement. Manifestos are a standard feature of the various movements in the modernist avant-garde and are still written today. Art manifestos are sometimes in their rhetoric intended for shock value, to achieve a revolutionary effect.
On July 27, 2019, the Long Museum in Shanghai, China, opened 'Mark Bradford: Los Angeles,' the artist's largest exhibition in China. The exhibition featured a new, site-specific sculpture, “Float,” in response to the museum's architecture and a series of large-scale paintings about the Watts riots in Los Angeles in 1965. The Long Museum ...
Fred Wilson (born 1954) is an American artist of African-American and Caribbean heritage. He received a BFA from Purchase College, State University of New York. [1] Wilson challenges colonial assumptions on history, culture, and race – encouraging viewers to consider the social and historical narratives that represent the western canon. [2]
Exactly 100 years to the day of the opening of the First Exhibition of the Society of Independent Artists, Francis M. Naumann Fine Art opened "Marcel Duchamp Fountain: An Homage" on April 10, 2017. [84] The show included Urinal Cake by Sophie Matisse, Russian constructivist urinals by Alexander Kosolapov, and a 2015 work by Ai Wei Wei. [85] [86]
Ussing entered the Danish Architects' Association competition from 1970 - 1973 using award-winning ideas for multi-story homes. The fusing of art and living life was a continuous theme in Ussing's work. The Women's Exhibition in 1975 and the Children's Exhibitions, shown across her country, from 1978-1979 showed this theme.
Freestyle was a contemporary art exhibition at The Studio Museum in Harlem from April 28-June 24, 2001 curated by Thelma Golden with the support of curatorial assistant Christine Y. Kim. Golden curated the works of 28 emerging black artists for the exhibition, characterizing the work as 'Post-Black'.
General Idea was a collective of three Canadian artists, Felix Partz, Jorge Zontal and AA Bronson, who were active from 1967 to 1994. [1] As pioneers of early conceptual and media-based art, their collaboration became a model for artist-initiated activities and continues to be a prominent influence on subsequent generations of artists. [2]