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"Sonic Reducer" is a punk rock song written by Cheetah Chrome and David Thomas during their tenure in Rocket from the Tombs, which made its recorded debut on the Dead Boys 1977 album Young, Loud and Snotty with a change of lyrics that were rewritten by Stiv Bators.
Their song "Sonic Reducer" is often regarded as one of the classics of the punk genre, with AllMusic calling it "one of punk's great anthems." [12] [13] Their second album, We Have Come for Your Children, produced by Felix Pappalardi, was recorded in Miami in early 1978 and released later that year.
The final track, "Sonic Reducer", is a cover of a 1977 song by punk rock band Dead Boys; it was not included on the vinyl [2] or cassette [3] versions of the album, and on some CD reissues it was instead placed between "Second Son" and "Hammerhead". [4] "Rotten to the Core" has been a mainstay of the band's live setlist since 1984. [5]
It is the first album of newly recorded music by the band in 39 years. [1] ... "Sonic Reducer" (David Thomas, Cheetah Chrome) – 3:00 "All This and More" – 2:51
Young, Loud and Snotty is the first studio album by the American punk band Dead Boys.It was recorded and released in 1977 on Sire Records, produced by Genya Ravan.The album is the only Dead Boys album to chart, peaking at 189 on the Billboard 200 in November 1977.
B-side: "Sonic Reducer (Christmas Single Reprise)" (The Dead Boys cover) Featuring Joey Ramone [Live] Recorded at Tad Gormley Stadium on September 17, 1995, in New Orleans, Louisiana; The temperature was 106 °F and the show lasted 2.5 hours. This was the last song. Record 2:
The band quickly became a popular staple at CBGB, a music club in New York City's East Village. The Dead Boys were featured in the punk rock films Punking Out (1978), Live at CBGB's (1977) and Crash 'n' Burn (1977). Following the demise of Dead Boys in 1979, Bators began a tumultuous relationship with Bomp! Records and its president, Greg Shaw.
We Have Come for Your Children is the second and final studio album by the American punk rock band Dead Boys. [5] It was recorded and released in 1978, on Sire Records.The recording of the album was problematic for the group and sessions were halted when the band became convinced that producer Felix Pappalardi did not understand their music.