Search results
Results From The WOW.Com Content Network
The Piano Concerto No. 1 in E minor, Op. 11, is a piano concerto written by Frédéric Chopin in 1830, when he was twenty years old. It was first performed on 12 October of that year, at the Teatr Narodowy (the National Theatre) in Warsaw, Poland, with the composer as soloist, during one of his "farewell" concerts before leaving Poland.
Chopin at 25, by Maria Wodzińska, 1835. Most of Chopin's compositions were for solo piano, although he did compose two piano concertos (his concertos No. 1 and No. 2 are two of the romantic piano concerto repertoire's most often-performed pieces) as well as some other music for ensembles.
The penmanship also matches that of Chopin, including its small size and the unusual bass clef, [1] although his friend Julian Fontana drew this clef similarly, leading to some past confusion between their manuscripts. [3] This extends to the "Valse" written at the top, although the name "Chopin" is in another hand. [1]
Frédéric François Chopin [n 1] (born Fryderyk Franciszek Chopin; [n 2] 1 March 1810 – 17 October 1849) was a Polish composer and virtuoso pianist of the Romantic period, who wrote primarily for solo piano. He has maintained worldwide renown as a leading musician of his era, one whose "poetic genius was based on a professional technique ...
A curator at a museum in New York City has discovered a previously unknown waltz written by Frédéric Chopin, the first time that a new piece of work by the Polish composer has been found in ...
Main page; Contents; Current events; Random article; About Wikipedia; Contact us
Waltz in A-flat major, Op. 69, No. 1, is a waltz composed by Frédéric Chopin in 1835. It was posthumously published by his friend Julian Fontana in 1855, six years after the composer’s death, together with the earlier composed Waltz Op. 69, No. 2. [1] It is also called "The Farewell Waltz" or "Valse de l'adieu".
Chopin had composed five of his nocturnes before meeting Field for the first time. [6] In his youth, Chopin was often told that he sounded like Field, who in turn was later described as sounding "Chopinesque". [7] The composer Friedrich Kalkbrenner, one of Chopin's early influences, once inquired as to whether Chopin was a student of Field. [8]