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Nine Dragons (九龍圖卷; Jiǔlóngtú juǎn) is a handscroll painting by Chinese artist Chen Rong. [1] Painted in 1244, it depicts the apparitions of dragons soaring amidst clouds, mists, whirlpools, rocky mountains and fire, the painting refers to the dynamic forces of nature in Daoism and the liquid, water-like essence of the Tao. [2]
Created in 2010, the zodiac heads (a Rat, Ox, Tiger, Rabbit, Dragon, Snake, Horse, Goat, Monkey, Rooster, Dog, and Pig) are inspired by the bronze heads which once comprised a water clock-fountain at the Yuanming Yuan, which is a complex of palaces and gardens in Beijing that were constructed by the Qianlong Emperor of the Qing dynasty. [1]
The original figures in a drawing before the looting with all 12 head figures The site of the water fountain in 2013. The Twelve Old Summer Palace bronze heads are a collection of bronze fountainheads in the shape of the Chinese zodiac animals that were part of a water clock fountain in front of the Haiyantang (Chinese: 海晏堂; pinyin: Hǎiyàntáng) building of the Xiyang Lou (Western ...
Chiwen (Chinese: 蚩吻; pinyin: chīwěn; Wade–Giles: ch'ih-wen; lit. 'hornless-dragon mouth') is a roof ornamental motif in traditional Chinese architecture and art. Chiwen is also the name of a Chinese dragon that mixes features of a fish, and in Chinese mythology is one of the nine sons of the dragon , which are also used as imperial roof ...
The ancient Chinese self-identified as "the gods of the dragon" because the Chinese dragon is an imagined reptile that represents evolution from the ancestors and qi energy. [10] Dragon-like motifs of a zoomorphic composition in reddish-brown stone have been found at the Chahai site (Liaoning) in the Xinglongwa culture (6200–5400 BC). [2]
However, the oldest characters for "rainbow" in Shang dynasty oracle bone script were pictographs of an arched dragon or serpent with open-mouthed heads at both ends. Eberhard notes, "In early reliefs, the rainbow is shown as a snake or a dragon with two heads. In West China they give it the head of a donkey, and it rates as a lucky symbol." [3]
Chinese painting and calligraphy distinguish themselves from other cultures' arts by emphasis on motion and change with dynamic life. [4] The practice is traditionally first learned by rote, in which the master shows the "right way" to draw items. The apprentice must copy these items strictly and continuously until the movements become instinctive.
Huishan clay figurine (Chinese: 惠山泥人; pinyin: Huìshān ní rén) is a traditional Chinese folk art in Wuxi, Jiangsu Province, China, with a history of more than 400 years. [ 1 ] [ 2 ] The production of Wuxi Huishan clay figurines began at the end of the Ming dynasty and developed in the Qing dynasty with specialized Huishan clay ...