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Concrete poetry relates more to the visual than to the verbal arts although there is a considerable overlap in the kind of product to which it refers. Historically, however, concrete poetry has developed from a long tradition of shaped or patterned poems in which the words are arranged in such a way as to depict their subject.
Though his early writing consisted of fiction and lyrical poems, he first received international recognition in the 1960s for concrete poetry. The first major publications included Journeying & the returns (1967), [6] a purple box containing visual & lyrical poems and Konfessions of an Elizabethan Fan Dancer (1969) [7] a book of
In his "ferro-concrete" (reinforced concrete) poems, Vasily Kamensky replaced grammar and syntax with a spatial arrangement of words that celebrates concrete as a dynamic force in the invention of the modern city. The artists discarded customary book materials and printed Tango on cheap wallpaper as a parody of urban bourgeois taste.
Mary Ellen Solt, née Bottom (July 8, 1920 in Gilmore City, Iowa – June 21, 2007) was an American concrete poet, essayist, translator, editor, and professor. Her work was most notably poems in the shape of flowers such as "Forsythia", "Lilac", and "Geranium". They were collected in Flowers in Concrete (1966).
Seiichi Niikuni (新国誠一, Niikuni Seiichi, December 7, 1925 – August 23, 1977) was a Japanese poet and painter.He was one of the foremost pioneers of the international avant-garde concrete poetry movement, creating works of calligraphic, visual and aural poetry.
Judith Copithorne works with concrete poetry and other types of experimental writing in prose, poetry and visual poetry. Her core themes include domestic space and community. [2] Copithorne writes between text and visual forms, with early work combining text with abstract line drawings, called Poem-drawings.
The Rose That Grew from Concrete (1999) is a collection of poetry written between 1989 and 1991 by Tupac Shakur, published by Pocket Books through its MTV Books imprint. [1] A preface was written by Shakur's mother Afeni Shakur , a foreword by Nikki Giovanni and an introduction by his manager, Leila Steinberg .
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