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A muscle car is an American-made two-door sports coupe with a powerful engine, generally designed for high-performance driving. [1] [2] In 1949, General Motors introduced its 88 with the company's 303-cubic-inch (5 L) OHV Rocket V8 engine, which was previously available only in its luxury Oldsmobile 98. This formula of putting a maker's largest ...
All 302 cu in (4.9 L)-equipped Mustang IIs, except the King Cobras, received updated versions of the classic Ford "V8" emblem on each front fender. The car was available in coupe and hatchback versions, including a "luxury" Ghia model designed by Ford's recently acquired Ghia of Italy. The coupe was marketed as a "hardtop" but actually had a ...
Pony car is an American car classification for affordable, compact, highly styled coupés or convertibles with a "sporty" or performance-oriented image. [ 1 ] [ 2 ] Common characteristics include rear-wheel drive, a long hood, a short decklid , a wide range of options to individualize each car and use of mass-produced parts shared with other ...
The Pursuit Special, also referred to as the Last of the V8 Interceptors, is a modified Ford Falcon muscle car prominently featured in much of the Mad Max franchise and driven by the titular character, where it appears in Mad Max, Mad Max 2: The Road Warrior, Mad Max: Fury Road, and Furiosa: A Mad Max Saga, the canon comic book prequel, as well as both video games.
Bliss, originally titled Bucolic Green Hills, is the default wallpaper of Microsoft's Windows XP operating system. It is a photograph of a green rolling hills and daytime sky with cirrus clouds.
The main prop for her B-Grade horror film is an American muscle car. Bambi loves muscle cars but she's never owned one until now. She takes all her money from her savings account and buys the car telling her friend Kat, that even though she's spending all her money on a car she's not concerned because the money from the investor will be in her ...
Fincher was influenced by the photography of William Eggleston and Robert Frank, who focused on "coolness", making the visuals simultaneously gritty, stylized, classic, and contemporary. Khondji said Frank's style could be seen in Seven ' s very bright exteriors and dark interiors, a visual contrast achieved by underexposing the film negative.