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The introduction of this new, avant-garde style influenced many European jazz musicians like the German saxophonist Peter Brötzmann, who is known as one of the first European free jazz musicians. The founders of European free jazz usually came from a classic jazz background and then went over bebop and hard bop into free jazz. Brötzmann began ...
Free jazz, or free form in the early to mid-1970s, [1] is a style of avant-garde jazz or an experimental approach to jazz improvisation that developed in the late 1950s and early 1960s, when musicians attempted to change or break down jazz conventions, such as regular tempos, tones, and chord changes.
Peter Brötzmann is a key figure in European free jazz. Free jazz was played in Europe in part because musicians such as Ayler, Taylor, Steve Lacy, and Eric Dolphy spent extended periods of time there, and European musicians such as Michael Mantler and John Tchicai traveled to the U.S. to
Peter Brötzmann (6 March 1941 – 22 June 2023) was a German jazz saxophonist and clarinetist regarded as a central and pioneering figure in European free jazz. [1] Throughout his career, he released over fifty albums as a bandleader.
European Echoes is an album by trumpeter Manfred Schoof on which he is joined by members of the Manfred Schoof Orchestra, a large ensemble of free jazz musicians. Consisting of a single half-hour track, it was recorded during June 1969 in Bremen, Germany, and was issued on vinyl later that year by FMP as the label's inaugural release.
Free improvisation, as a genre of music, developed primarily in the U.K. as well as the U.S. and Europe in the mid to late 1960s, largely as an outgrowth of free jazz and contemporary classical music.
Fred Van Hove (19 February 1937 – 13 January 2022) was a Belgian jazz musician and a pioneer of European free jazz. He was a pianist, accordionist, church organist, and carillonist, an improviser and a composer. In the 1960s and 1970s he performed with saxophonist Peter Brötzmann and drummer Han Bennink.
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