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Jean Marie Auel (/ aʊ l /; née Untinen; born February 18, 1936) is an American writer who wrote the Earth's Children books, a series of novels set in prehistoric Europe that explores human activities during this time, and touches on the interactions of Cro-Magnon people with Neanderthals. Her books have sold more than 45 million copies worldwide.
Earth's Children is a series of epic [1] historical fiction (or more precisely, prehistorical fiction) novels [2] [3] written by Jean M. Auel set circa 30,000 years before the present day. There are six novels in the series.
The Clan of the Cave Bear is a 1980 novel and epic [1] work of prehistoric fiction by Jean M. Auel about prehistoric times. It is the first book in the Earth's Children book series, which speculates on the possibilities of interactions between Neanderthal and modern Cro-Magnon humans.
The Land of Painted Caves is a historical fiction novel [1] [2] by Jean M. Auel published in March 2011. It is the sequel to The Shelters of Stone – published 9 years earlier – and is the sixth and final book in the Earth's Children series. It describes Ayla's life among the Zelandonii, and her training to become one of their spiritual leaders.
Earth's Children is a series of historical fiction novels written by Jean M. Auel. The series is set in Europe during the Upper Paleolithic era, after the date of the first ceramics discovered, but before the last advance of glaciers. The books focus on the period of co-existence between Cro-Magnons and Neanderthals.
The Valley of Horses is a historical fiction novel by Jean M. Auel. It is the sequel to The Clan of the Cave Bear and second in the Earth's Children series. [1] [2]
The Mammoth Hunters is an historical fiction novel by Jean M. Auel released in 1985. [1] It is the sequel to The Valley of Horses and third in the Earth's Children series. Plot summary
Entertainment Weekly also claims "Auel's main strength is melodrama that has been enlisted in the service of a serious, improving message that a lot of people want to receive. In Auel's case the didactic component is a postfeminist allegory that validates Woman's new place in society, with one foot in the (hunting/ gathering) workplace and the ...