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Chaucer worked, in part, from a translation of the Consolation into French by Jean de Meun but is clear he also worked from a Latin version, correcting some of the liberties de Meun takes with the text. The Latin source was probably a corrupt version of Boethius' original, which explains some of Chaucer's own misinterpretations of the work.
Rendered into modern English with close adherence to the language of the poet by Frank Pitt-Taylor. [337] The Canterbury tales of Geoffrey Chaucer: a modern rendering into prose of the Prologue and ten tales (1904). [338] By American dramatist and poet Percy MacKaye (1875–1956). Illustrations by Walter Appleton Clark (1876–1906).
Renaud's work itself is a very loose translation of Liber consolationis et consilii by Albertanus of Brescia. Chaucer used Brescia's Liber de doctrina dicendi et tacendi (Book of Speaking and Keeping Silent) as a source for the Manciple's Tale, and his De amore dei (On the Love of God) for the Merchant's Tale.
A complete listing and criticism of all English translations of at least one of the three cantiche (parts) was made by Cunningham in 1966. [12] The table below summarises Cunningham's data with additions between 1966 and the present, many of which are taken from the Dante Society of America's yearly North American bibliography [13] and Società Dantesca Italiana [] 's international ...
Geoffrey Chaucer (/ ˈ tʃ ɔː s ər / CHAW-sər; c. 1343 – 25 October 1400) was an English poet, author, and civil servant best known for The Canterbury Tales. [1] He has been called the "father of English literature", or, alternatively, the "father of English poetry". [2]
Fables, Ancient and Modern contains translations of the First Book of Homer's Iliad, eight selections from Ovid's Metamorphoses, three of Geoffrey Chaucer’s Canterbury Tales (and an imitation from the Prologue on "The Character of a Good Parson"), the later medieval poem The Flower and the Leaf, which he thought was by Chaucer, and three ...
The Romaunt of the Rose (The Romaunt) is a partial translation into Middle English of the French allegorical poem, Le Roman de la Rose (Le Roman). Originally believed to be the work of Chaucer , the Romaunt inspired controversy among 19th-century scholars when parts of the text were found to differ in style from Chaucer's other works.
Modern readers and critics have found it pedantic and boring, especially in comparison to the rest of the Canterbury Tales. Some scholars have questioned whether Chaucer ever intended the "Parson's Tale" to be part of the Tales at all, but more recent scholarship understands it as integral to the work, providing an appropriate ending to a ...