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Kumu Hula (or "hula master") Leato S. Savini of the Hawaiian cultural academy Hālau Nā Mamo O Tulipa, located in Waiʻanae, Japan, and Virginia, believes that hula goes as far back as what the Hawaiians call the Kumulipo, or account of how the world was made first and foremost through the god of life and water, Kane. Kumu Leato is cited as ...
ʻIolani Luahine (January 31, 1915 – December 10, 1978), born Harriet Lanihau Makekau, was a native Hawaiian kumu hula, dancer, chanter and teacher, who was considered the high priestess of the ancient hula.
In a Hālau Hula though, it is organized so information from the Kumu Hula is directly given to the students. Students of the Hālau Hula are expected to pass down this information that they are given from a specific lineage of Kumu Hula to the next generation. [8] In 1972, Ma’iki advertised for a public Kumu Hula class. This was the first ...
2009: Hula ("Let the Story Be Told") Operation Aloha Thanksgiving Dinner community dinner in Hawaii in 2008, sponsored annually by the Waialua Community Association. 2008: Hula ("The Art of Hawaiian Dance") 2007: Ke Kahua Lani o Hawaii; 2006: Na Paniolo Nui o Hawaii - The Great Cowboys of Hawaii; 2005: Nā Honu Hawaiʻi ("The Spirit Within")
The Native Hawaiian population was reduced to 20% of the total due to disease, inter-marriage and migration. [19] The diseases spread from outside Hawaii such as smallpox, cholera, influenza, and gonorrhea. Unlike Europeans, Hawaiians had no history with these diseases and their immune systems were unprepared to fight them. [20]
In 2008 a notable compilation of hits from the 1930s-1970s was released, Hawaii's Falsetto Poet, a title which referred to his nickname. [2] [3] There is a Bill Lincoln Record Shop in Hawaii on 304 Lewers Street in Honolulu. [3] The club where he performed is named La Hula Rhumba, located at 744 Lunalilo Street, also in the Hawaiian capital. [3]
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The Hawaiian Renaissance (also called the Hawaiian Cultural Renaissance) was the Hawaiian resurgence of a distinct cultural identity that draws upon traditional Kānaka Maoli culture, with a significant divergence from the tourism-based culture which Hawaiʻi was previously known for worldwide (along with the rest of Polynesia).