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To remember the order of taxa in biology (Domain, Kingdom, Phylum, Class, Order, Family, Genus, Species, [Variety]): " D ear K ing P hilip C ame O ver F or G ood S oup" is often cited as a non-vulgar method for teaching students to memorize the taxonomic classification of system.
Sanskrit grammatical tradition (vyākaraṇa, one of the six Vedanga disciplines) began in late Vedic India and culminated in the Aṣṭādhyāyī of Pāṇini.The oldest attested form of the Proto-Indo-Aryan language as it had evolved in the Indian subcontinent after its introduction with the arrival of the Indo-Aryans is called Vedic.
This page describes the grammar of Maithili language, which has a complex verbal system, nominal declension with a few inflections, and extensive use of honoroficity.It is an Indo-Aryan language native to the Maithili people and is spoken in the Indian state of Bihar with some speakers in Jharkhand and nearby states.The language has a large number of speakers in Nepal too, which is second in ...
[8] The principle of Adhikari-bheda has also been made to refer to the notion that each caste and sect has its own rituals and beliefs, in a unified, but hierarchically differentiated structure within which each knows its place. [9] and is pervasive throughout the corpus of Mahayoga and Yogini Tantras of Buddhism. [10]
There are two major views concerning the way in which Sanskrit and Prakrit are related. One holds that the original matter in question is the speech of the common people, unadorned by grammar, and that prākṛta thus refers to vernacular usage in contrast to the elevated register of Sanskrit usage.
Bhedvigyan plays a key role in the progression towards self-realization. It serves as a stepping stone in the process of spiritual awakening, where the aspirant first becomes aware of their mistaken identity with the non-soul as their witness (bhed-nasti), and later become aware of the existence and true nature of the soul itself (asti). This ...
[8] In Indian (Hindustani) classical music, the eternal love between Radha and Krishna is represented through the consciousness of Radha as the leitmotif that dominates the lyrics. Especially the semi-classical genre of Thumri imbibes the myriad moods of Radha as Ashta Nayika consumed by passionate love for Krishna .
This terse definition hinges on the meaning of three Sanskrit terms. I. K. Taimni translates it as "Yoga is the inhibition (nirodhaḥ) of the modifications (vṛtti) of the mind (citta)". [3]