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Fourth factor (F), in red, of a C suspended fourth chord, C sus4 (play ⓘ).. The fourth degree is octave equivalent to the eleventh. The dominant eleventh chord could be alternatively notated as the very unorthodox ninth added fourth chord (C 9add4), from where omitting the 3rd produces the more common ninth suspended fourth chord (C 9sus4, also known as the jazz sus chord).
Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord; Extended chord; Jazz chord; Lead sheet; List of musical intervals; List of pitch intervals; List of musical scales and modes; List of set classes; Ninth chord; Open chord; Passing chord; Primary triad; Quartal chord ...
A minor triad has a minor third (m3) on the bottom, a major third (M3) on top, and a perfect fifth (P5) between the outer notes. In harmonic analysis and on lead sheets, a C minor chord can be notated as Cm, C−, Cmin, or simply the lowercase "c". A minor triad is represented by the integer notation {0, 3, 7}.
This chord progression instructs the performer to play, in sequence, a C major triad, an A minor chord, a D minor chord, and a G dominant seventh chord. In a jazz context, players have the freedom to add sevenths, ninths, and higher extensions to the chord. In some pop, rock and folk genres, triads are generally performed unless specified in ...
C minor is a minor scale based on C, consisting of the pitches C, D, E ... The scale degree chords of C minor are: Tonic – C minor; Supertonic – D diminished;
Inverted major and minor chords can be played on two frets in M3 tuning. [76] [77] In standard tuning, the shape of inversions depends on the involvement of the irregular major third, and can involve four frets. [78] It is a challenge to adapt conventional guitar chords to new standard tuning, which is based on all-fifths tuning. [j]
Jazz chord-playing musicians may also add altered chord tones (e.g., ♯ 11) and added tones. An example of an altered dominant chord in the key of C, built on a G would be to voice the chord as "B–C ♯ –E–F–A ♭"; this would be G 7(♭ 9 ♯ 11).
Lydian chords may function as subdominants or substitutes for the tonic in major keys. [3] The compound interval of the augmented eleventh (enharmonically equivalent to ♯ 4, the characteristic interval of the Lydian mode) is used since the simple fourth usually only appears in suspended chords (which replace the third with a natural fourth, for example C sus4).