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Post-processual archaeology, however, questioned this stance, and instead emphasized that archaeology was subjective rather than objective, and that what truth could be ascertained from the archaeological record was often relative to the viewpoint of the archaeologist responsible for unearthing and presenting the data. [5]
Post-processualist critics consider the main weaknesses of processual archaeology to be: environmental determinism; lack of human agency; view of cultures as homeostatic, with cultural change only resulting from outside stimuli; failure to take into account factors such as gender, ethnicity, identity, social relations etc.
Some archaeological theories, such as processual archaeology, holds that archaeologists are able to develop accurate, objective information about past societies by applying the scientific method to their investigations, whilst others, such as post-processual archaeology, dispute this, and claim all archaeological data is tainted by human ...
This definition, which emphasizes the materiality of the archaeological record and aligns archaeology with material culture studies and the 'material turn' in cultural anthropology, has become increasingly common with the rise of post-processual archaeology. [14]
The journal is often associated with the processual, behavioural, and evolutionary schools of archaeological theory, but aims to "welcome 'all theoretical archaeology'". [2] For example, a landmark paper by Ian Hodder, which established the name post-processual archaeology for the theoretical reaction to processual archaeology he led in the ...
The Archaeology of Death and Burial is an archaeological study by the English archaeologist Mike Parker Pearson, then a professor at the University of Sheffield. It was first published in 1999 by Sutton Publishing Limited, and later republished by The History Press. Parker Pearson's book adopts a post-processual approach to funerary archaeology.
Phenomenology became a part of the Post-processual archaeology movement in the early 1990s and was a reaction to Processual archaeology's proposed 'scientific' treatment of space as an abstract and empty locus for action. [1]
Hodder, a former student of Mellaart, chose the site as the first "real world" test of his then-controversial theory of post-processual archaeology. [16] The site has always had a strong research emphasis upon engagement with digital methodologies, driven by the project's experimental and reflexive methodological framework. [17]