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Additionally, the full-length painting of St. Anthony Abbot in the Louvre appears to be from another altarpiece by the same master. Research in 2010 by Maria Falcone in Siena has revealed the name of the Master to be Sano di Pietro. Falcone found a document about an altarpiece by the “Master of Osservanza” for a church in Asciano, just ...
Anthony of Sienna (?–2 January 1585) was a Portuguese Dominican theologian, so called because of his great veneration for Saint Catherine of Siena. [1] He was born near Braga in Portugal. He studied at Lisbon, Coimbra, and Louvain, eventually coming to teach philosophy at Louvain. There he was made Doctor of Theology in 1571, and in 1574 was ...
Also present in the church are a St Anthony preaches to Fishes (1697), by Annibale Mazzuoli; a stucco bas-relief or the Virgin offers her baby Jesus to St Antonio, by Giovanni Antonio Mazzuoli (1685); a wooden altarpiece with Scenes in the Life of St Anthony, by Antonio Manetti and Angelo Barbetti (1831-1832); a Madonna and Child, by Francesco ...
Matthias Grünewald, inner right wing of the Isenheim Altarpiece depicting the Temptation of St. Anthony, 1512-1516 (oil on panel). The Temptation of Saint Anthony is an often-repeated subject in the history of art and literature, concerning the supernatural temptation reportedly faced by Saint Anthony the Great during his sojourn in the Egyptian desert.
Simone Martini, Annunciation with St. Margaret and St. Ansanus, 1333. The Sienese school of painting flourished in Siena, Italy, between the 13th and 15th centuries.Its most important artists include Duccio, whose work shows Byzantine influence, his pupil Simone Martini, the brothers Pietro and Ambrogio Lorenzetti and Domenico and Taddeo di Bartolo, Sassetta, and Matteo di Giovanni.
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Capitoline she-wolf in Eden Park, Cincinnati, Ohio Capitoline Wolf at Siena Duomo. According to a legend Siena was founded by Senius and Aschius, two sons of Remus. When they fled Rome, they took the statue of the She-wolf to Siena, which became the symbol of the town.
St. Anthony the Abbot is portrayed in meditation, in a sunny landscape near the trunk of a dry tree. St. Anthony is a recurrent figure in Bosch's work, with up to 15 paintings of this subject, all inspired by legends told in the Golden Legend and in his Life by Athanasius of Alexandria. He is represented in a setting of solitude and temptation ...