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Made and painted by Lucas Cranach the Elder, the painting depicts Jesus Christ with children, based on the New Testament verse "Suffer the little children to come unto me, and forbid them not: for of such is the kingdom of God" (Mark 10:14); a popular subject of Protestant iconography in line with the Lutheran teachings of Sola gratia and Sola Fide; salvation by grace through faith, a theme ...
The Virgin and Laughing Child, also called The Virgin with the laughing Child, or generally abbreviated as another of many depictions of the Virgin and Child, [1] is a statuette originating in Florence and was made circa 1460. [1] It is a terracotta figure of the Virgin Mary carrying the laughing child Jesus Christ. [1]
Suffer little children to come unto me or Let the Little Children Come to Me, is a painting attributed to the Dutch painter Rembrandt. The subject of the portrait is the teaching of Jesus about little children and it is estimated that Rembrandt painted it in Leiden in the 1620s. [1] The painting as it looked in 2014 before restoration ...
[n 1] It depicts Saint Anne, her daughter the Virgin Mary and the infant Jesus. [1] Christ is shown grappling with a sacrificial lamb symbolizing his Passion as the Virgin tries to restrain him. The painting was commissioned as the high altarpiece for the Church of Santissima Annunziata in Florence and its theme had long preoccupied Leonardo.
Earlier this year a picture re-emerged that showed what Jesus might have looked like as a kid. Detectives took the Turin Shroud, believed to show Jesus' image, and created a photo-fit image from ...
Nativity images became increasing popular in panel paintings in the 15th century, although on altarpieces the Holy Family often had to share the picture space with donor portraits. In Early Netherlandish painting the usual simple shed, little changed from Late Antiquity, developed into an elaborate ruined temple, initially Romanesque in style ...
The work's alternative title, "Suffer the little children to come unto me" is based on a passage from the gospel of Matthew in which Jesus was instructing his disciples through the example of children. The painting is part of the artist's body of religious work, which is less well-known than her depictions of strong women.
Warner Elias Sallman was born on April 30, 1892. He was the eldest of three children born to Elias Sallman and Christiane (Larson) Sallman who were immigrants from Finland and Sweden. He was trained in art by apprenticing in local studios while attending the Chicago Art Institute at night. [5]