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It is a ring-shaped ornament developed in ancient China, which is hung on the neck and chest, worn on the head, arms and legs. It is mainly made of pearls, precious stones and precious metals. At first, it was used as a Buddhist ornament, but later it was widely adopted as a necklace and headwear in Chinese women's clothing.
In the Sui and Tang dynasties, the xiapei gained its name due to its beauty like rosy clouds (霞; xia). [2] During this period, it became increasingly popular. [7] In the Tang dynasty, the xiapei was an embroidered scarf made of silk which was attached to a woman's neck and shoulder that would wrap around her body.
The Manchu's front overlap opening was a Manchu innovation; their clothing was closed with buttons on the centre front of the neck, right clavicle, and under the right arm along the right seams. [32] The Manchu overlap was more shaped like an S-curved overlap; it ran straight to the right of the centre-front of the neck, drops down to the burst ...
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"Each cheongsam figures prominently in my power-up wardrobe, making a conscious statement about my heritage, my culture, my visibility and my pride."
[54] [76]: 384–417 Earliest images of nomadic Xianbei-style dress in China tend to be depicted as a knee-length tunic with narrow sleeves, with a front opening, which can typically be collarless, round-collared, and sometimes be V-neck collared; men and women tend to wear that knee-length tunic over trousers for men and long, ground-length ...
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Two women wearing cheongsam in a 1930s Shanghai advertisement. The cheongsam is a body-hugging (modified in Shanghai) one-piece Chinese dress for women; the male version is the changshan. It is known in Mandarin Chinese as the qípáo (旗袍; Wade-Giles ch'i-p'ao), and is also known in English as a mandarin gown.