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The earliest religious paintings in Japan were copied using mainland styles and techniques, and are similar to the art of the Chinese Sui dynasty (581–618) or the late Sixteen Kingdoms around the early 5th century. They comprise the oldest extant non-primitive paintings in Japan.
The Great Wave off Kanagawa has been described as "possibly the most reproduced image in the history of all art", [1] as well as being a contender for the "most famous artwork in Japanese history". [2] This woodblock print has influenced several Western artists and musicians, including Claude Debussy, Vincent van Gogh and Claude Monet.
Potter and a key figure in mingei (Japanese folk art) and studio pottery movements Yasuo Kuniyoshi: 1893–1953 Migrated to New York from Japan in 1906. Well known for his paintings related to Social Realism: Kanpū Ōmata: 1894–1947 Painter and waka poet Haruko Hasegawa: 1895–1967 Painter, illustrator, writer; she specialized in war painting
(kept at the National Museum of Modern Art, Tokyo) materials and techniques of western oil painting applied to the Japanese subject of a white-robed Kannon, holding a willow branch in one hand and a water jar in the other [5] 272.0 centimetres (107.1 in) by 181.0 centimetres (71.3 in)
Kiyohara Yukinobu struck out on a path in the late 17th century that few women in Japan had navigated, becoming an accomplished artist in the Kanō school — and, for a century after, was name ...
Over time the country absorbed, imitated, and finally assimilated elements of foreign culture that complemented already-existing aesthetic preferences. The earliest complex art in Japan was produced in the 7th and 8th centuries in connection with Buddhism. In the 9th century, as the Japanese began to turn away from China and develop indigenous ...