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Is Love the Answer? (Japanese: きみのせかいに恋はない, Hepburn: Kimi no Sekai ni Koi wa Nai) is a Japanese manga series written and illustrated by Uta Isaki.It was serialized in Kodansha's magazine Hatsu Kiss from August 2020 to January 2021, with its individual chapters collected into a single volume.
So I'm a Spider, So What? (Japanese: 蜘蛛ですが、なにか？, Hepburn: Kumo Desu ga, Nanika?) is a Japanese light novel isekai series written by Okina Baba and illustrated by Tsukasa Kiryu.
Nikoli Co., Ltd. (Japanese: 株式会社ニコリ, Hepburn: Kabushiki-gaisha, Nikori) is a Japanese publisher that specializes in games and, especially, logic puzzles. Nikoli is also the nickname of a quarterly magazine (whose full name is Puzzle Communication Nikoli) issued by the company in Tokyo. [1]
The opening theme is "Watashi ga Motenai no wa dō Kangaetemo Omaera ga Warui!" (私がモテないのはどう考えてもお前らが悪い!, "No Matter How I Look at It, It's You Guys' Fault I'm Not Popular!") by Konomi Suzuki and Kiba of Akiba, which reached #43 on the Japan Hot 100. [76]
No. Title Length; 1. "Eccentric Music Video" 4:40: 2. "W-KEYAKIZAKA no Uta 32-people ver. Music Video" 3. "The Making of Silent Majority Music Video by Ikeda Kazuma" 4. "The Making of Sekai ni wa Ai Shika Nai Music Video by Ikeda Kazuma" 5. "The Making of Futari Saison Music Video by Shinguu Ryohei" 6. "The Making of Fukyōwaon Music Video by ...
Dame na Watashi ni Koishite Kudasai (ダメな私に恋してください, lit. "Please Love the Useless Me") is a Japanese romantic comedy manga series written and illustrated by Aya Nakahara . It was serialized in Shueisha 's josei manga magazine You from April 2013 to August 2016, with its chapters collected into ten tankōbon volumes.
My Master Has No Tail (Japanese: うちの師匠はしっぽがない, Hepburn: Uchi no Shishō wa Shippo ga Nai) is a Japanese manga series written and illustrated by TNSK. It was serialized in Kodansha 's seinen manga magazine good!
The bibliography of Kimitake Hiraoka, pen name Yukio Mishima, includes novels, novellas, short stories and literary essays, as well as plays that were written not only in a contemporary-style, but also in the style of classical Japanese theatre, particularly in the genres of noh and kabuki.