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Removing the mould pieces from a vase. The factory retains a huge collection of moulds, going back to its beginning, and mixes the production of old and new shapes. Slipcasting is the main technique for "hollow" wares like vases. The kaolin was brought, traditionally, from Saint-Yrieix near Limoges. Nowadays there are many sources.
The completely modern new location featured two continuous tunnel kilns, essential for large-scale production, as well as design facilities and a showroom. By the late 1930s, Brayton Laguna’s focus was primarily on artware and hand-decorated figurines. At their highest capacity in the 1940s Brayton employed 150 artists, designers and potters.
The automatic line was put into operation for the production of vases and decanters by blow-blow technology. 2001: The plant created the world's unique know-how by starting automatic line with so called pulled stem technology. This technology in combination with blow-blow process was for the first time in the world applied in the glassworks RONA.
Rosenthal was founded in 1879 as a family business. The founder, Philipp Rosenthal, moved his porcelain painting business from Werl in North Rhine-Westphalia to Selb in Bavaria, where he was based in the castle Erkersreuth.
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It is one of around 50 examples amongst the Dipylon gravesites attributed to an unknown artist given the notname of "the Dipylon Master".Also known as the Dipylon Painter, the Dipylon Master is one of the earliest individually identifiable Greek artists, who specialized in not just large funerary vases, but pitchers, high rimmed bowls, tankards, as well as giant and standard sized oinochoai. [3]
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