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The Four Seasons of Mary Azarian is a 2000 children's book by Mary Azarian. [1] [2] [3] The book contains wood carvings that have been printed from the author's woodcut carvings, some of which have been painted. It has been reviewed positively, for example The Boston Globe called it a regional book that is a "classic winner". [4]
The Four Seasons are an ancient decorative motif. Usually each season is represented as an allegorical figure bearing traditional iconographic symbols. The Romans typically represented the seasons as voluptuous goddesses known as the Horae. This imagery carried over into neoclassical art and later became especially popular as garden sculpture.
Bamboo in the Four Seasons is seen as an early-stage work by the Tosa School. [2] Japanese influences on Bamboo in the Four Seasons, depicts the transitory state of bamboo growth, from shoots to mature plant in the same space, from spring to winter, seen from right to left, the gold leaf backdrop conveying the concept of space.
The Seasons or The Four Seasons is a set of four paintings produced in 1563, 1572 and 1573 by the Italian artist Giuseppe Arcimboldo. He offered the set to Maximilian II, Holy Roman Emperor in 1569, accompanying The Four Elements. Each shows a profile portrait made up of fruit, vegetables and plants relating to the relevant season.
The Four Seasons (fr Les Quatre Saisons) was the last set of four oil paintings completed by the French painter Nicolas Poussin (1594–1665). The set was painted in Rome between 1660 and 1664 for the Duc de Richelieu , the grand-nephew of Cardinal Richelieu .
The Flowers of the Four Seasons (Chinese: 四季名花, Sìjì Mínghuā) are a traditional grouping of flowers found in Chinese culture [1] that spread to and influenced other East Asian [2] arts. In Chinese art [3] and culture, the flowers that represent the four seasons consist of: (春兰) Chūnlán – Spring – orchid
The Seasons, published in 1896, served as the first series Mucha produced during his time with Champenois. [1] The Seasons depicted four different women in floral settings representing the seasons of the year: Winter, Spring, Summer, and Autumn. [8] Each panel was sized 103 by 54 centimetres (41 in × 21 in). [9]
These included allegorical sets of subjects such as the Four Seasons and personifications of virtues, and portraits of notable figures, often as busts, could be finely modelled. Like other Staffordshire wares, the figures were increasingly reaching the American market, shipped from Liverpool , and the Founding Fathers were well-represented ...